In the heart of Tokyo’s Roppongi district, Bvlgari has unveiled Kaleidos: Colours, Cultures and Crafts, a bold and expansive exhibition that marks the Roman maison’s most ambitious undertaking in Japan to date. Set within the vast galleries of the National Art Centre, the show presents nearly 350 pieces from the brand’s heritage collection alongside contemporary art commissions and immersive installations.
A JOURNEY THROUGH COLOUR AND MEANING
The title Kaleidos is derived from the Greek words kalos (beautiful) and eidos (form): a fitting metaphor for an exhibition structured around the interplay of hue, shape and perception. The experience unfolds in three distinct chapters: “The Science of Colour,” “Colour Symbolism,” and “The Power of Light.” Each chapter invites viewers to reflect on how colour is not only aesthetic but also expressive, cultural and emotional.
Within the first chapter, visitors explore archival jewels that demonstrate Bvlgari’s own chromatic revolution, when bold combinations of sapphires, rubies and emeralds replaced more subdued monochrome traditions in high jewellery. The second chapter detours into cultural meaning: jade, enamel and gemstones tell stories of both Italian and Japanese heritage, bridging two craftsmanship traditions under one roof. The final chapter charts how light transforms colour: metals, gemstones and design interplay in a fluid dialogue of reflection and vibrancy.

THREADS OF ITALY AND JAPAN
This exhibition is more than a jewellery showcase; it is a cultural dialogue. Bvlgari positions itself at the intersection of Roman luxury and Japanese precision, two distinct legacies that converge here. Through careful curation and design collaboration (including with the architectural studio SANAA), the gallery itself becomes part of the experience. The result is a layered narrative where each piece of jewellery, each sculpture and installation conveys a shared respect for craft, heritage and innovation.

CRAFT, ICONS AND CONTEMPORARY VISION
Among the many treasures on display are iconic pieces, such as the “Seven Wonders” emerald necklace and convertible sautoirs from the 1960s that feel timeless and daring. The exhibition also invites three contemporary female artists to collaborate: Lara Favaretto, Mariko Mori and Akiko Nakayama. Their works respond to the theme of colour through kinetic installations, prisms of light and moving surfaces that interact with the jewels on view.

WHY THIS PERSISTS
In an age when high jewellery must navigate both heritage and relevance, Kaleidos stakes a claim for jewellery as cultural expression, not just adornment. By engaging with architecture, art, national identity and craftsmanship, Bvlgari signals that luxury objects carry stories capable of transcending time and place. For visitors to Tokyo, the exhibition is not simply an opportunity to view extraordinary jewels but to experience an immersive vision of what colour, form and luxury can become.
Written by: Linh Giang Nguyen
Published on: 29th October 2025