Art enthusiasts, mark your calendars: the National Gallery of Victoria (NGV) is set to welcome back its monumental French Impressionism exhibition in 2025. Following its resounding success in 2023, this highly anticipated showcase promises to offer a breathtaking exploration of one of the most beloved art movements in history.
Understanding French Impressionism
French Impressionism emerged in the late 19th century as a revolutionary approach to painting that emphasised capturing fleeting moments of light and colour. Characterised by loose brushwork and an emphasis on everyday subjects, it sought to portray the world as experienced in the moment, rather than through idealised forms. This movement not only challenged traditional artistic conventions but also reflected broader societal changes, including urbanisation and the rise of leisure activities. The significance of Impressionism lies in its departure from realism, paving the way for modern art and influencing countless artists in subsequent generations.
A Glimpse into the Exhibition
The exhibition will feature an extensive collection of works from renowned Impressionist artists, including Claude Monet, Edgar Degas, Camille Pissarro, Pierre-Auguste Renoir, and more. Visitors can expect to be immersed in the vivid colours and innovative techniques that define this transformative era in art. As described by the NGV, the exhibition aims to “capture the essence of Impressionism,” allowing audiences to appreciate not only the beauty of the artworks but also the historical context in which they were created.
Highlights will include Renoir’s iconic Dance at Bougival and Degas’ captivating Ballet Dancer with Arms Crossed. Notably, visitors will be treated to an extraordinary display of 16 Monet canvases, all centred in one gallery, depicting the serene beauty of the French countryside and coast. Adding a personal touch, two portraits of Victorine Meurent—one painted by herself and the other by Édouard Manet, for whom she was the “favourite model”—will also stand out in the exhibition. Dr. Hanson, a key figure in the exhibition’s curation, emphasises the significance of these works in understanding the role of women in the Impressionist movement.
Curatorial Triumphs and Highlights
In addition to these classics, the exhibition will showcase some lesser-known gems. Among Dr. Hanson’s favourites is Gustave Caillebotte’s Fruit Displayed on a Stand, which evokes memories of travelling in Japan, where fruit is artfully wrapped and displayed in department stores. Another piece he admires is Pissarro’s Sunlight on the Road, Pontoise, described as appearing “painted with butter or ice cream,” illustrating the rich textures that characterise Impressionist painting.
New works not previously shown in Australia will include Victorine Meurent’s Self-Portrait, alongside 11 pieces by Edgar Degas, including the never-before-seen Father Listening to Lorenzo Pagans Playing the Guitar.This inclusion of fresh perspectives highlights the NGV’s commitment to providing audiences with a comprehensive understanding of Impressionism’s evolution.
A dedicated section of the exhibition will delve into early works by Monet and Eugène Boudin, alongside an exploration of the Barbizon School. With 14 paintings by Boudin, this segment offers insights into Monet’s formative influences. Visitors will see how these early inspirations culminated in Monet’s distinct style, which spans a remarkable 30-year period, featuring scenes from the Normandy coast and his famed garden in Giverny.
An Artistic revolution
The return of the French Impressionism exhibition at the NGV in 2025 promises to be a celebration of artistic innovation and cultural history. With stunning visuals and rich narratives, this exhibition will highlight the brilliance of Impressionist artists while inviting visitors to reflect on broader societal changes of the time. Whether you’re an art aficionado or a casual visitor, this event is not to be missed. Prepare to be transported into a world of colour, emotion, and inspiration as the NGV once again brings the allure of French Impressionism to Melbourne.
Erika Challita