Scheduled for July 24th at Smith & Singer in Melbourne, the upcoming sale of the late Ron Walker’s esteemed art collection promises to unveil a treasure trove of Australian art, spanning decades and capturing the essence of creativity and heritage.
Comprising 20 carefully curated lots, the collection is estimated to fetch between $5.6 million and $7.9 million—a testament to the calibre and rarity of the artworks amassed by Ron Walker over his lifetime. At the forefront are three seminal pieces by Sydney artist Brett Whiteley, whose evocative works have garnered international acclaim. Leading the trio is “Her, 1967,” a striking portrayal of Whiteley’s ex-wife Wendy in bold, nude compositions. With dimensions that command attention—183 x 237.5 centimetres—the piece is expected to fetch between $1.8 million and $2.4 million, showcasing its pivotal role in Australian modern art.
Accompanying Whiteley’s masterpieces are contributions from other luminaries of the Australian art scene. Works by Charles Blackman, Sidney Nolan, John Olsen, and Albert Tucker enrich the collection, each offering a unique perspective on Australia’s cultural evolution. Notable among these is Elioth Gruner’s “Spring Morning, Middle Harbour, 1913,” a serene landscape that entered Walker’s collection in 1998. Originally purchased for $112,500, its current estimate of $250,000 to $350,000 reflects its enduring appeal and historical significance.
John Olsen, celebrated for his expansive landscapes, contributes significantly to the auction with pieces like “Fleurieu Peninsula, 1983,” spanning an impressive 244.5 centimetres and carrying an estimate of $350,000 to $450,000. Olsen’s works, inspired by his extensive travels and deep connection to the Australian landscape, resonate deeply within the context of Walker’s collection, offering a glimpse into the artist’s profound exploration of nature and abstraction.
Geoffrey Smith, Chairman of Smith & Singer, affirms that the Ron Walker collection stands as one of the most significant private assemblages of Australian art in recent history. Walker, renowned not only for his entrepreneurial ventures but also for his genuine passion for the arts, cultivated an environment where creativity thrived. His mansion, Huntingfield—a sprawling estate nestled in Melbourne’s prestigious suburb of Toorak—served as a fitting backdrop for his extensive collection, reflecting his commitment to integrating art into everyday life.
Beyond his role as a prominent art collector, Ron Walker’s legacy extends across multiple domains of Australian public life. From his tenure as Lord Mayor of Melbourne to his pivotal role in founding the property consortium Hudson Conway, which spearheaded landmark developments like Crown Casino, Walker’s influence was felt deeply in shaping the city’s cultural and economic landscape. His stewardship extended to media as well, serving as Chairman of Fairfax Media during a transformative period from 2005 to 2009.
As collectors and enthusiasts eagerly anticipate the auction, Ron Walker’s legacy emerges prominently—a testament to his steadfast commitment to safeguarding and honouring Australia’s artistic heritage. Each artwork presented carries with it a narrative, delving into themes of identity, landscape, and the evolving narratives of Australian creativity. As the auctioneer’s gavel descends, it not only signifies the culmination of an exceptional collection but also signals the beginning of a new chapter in the ongoing mission to cherish and uphold Australia’s diverse artistic legacy.