CALVIN KLEIN RETURNING TO NYFW: A STATEMENT OF REFINED CONFIDENCE UNDER VERONICA LEONI

The setting was deliberate. The show took place in Manhattan’s Garment District, the historic centre of American fashion. The industrial venue, stripped back and architectural, mirrored Leoni’s approach to the clothes. This was not about grandeur but about grounding Calvin Klein in the city that defined it.

By staging the presentation in this neighbourhood, Leoni made clear that Calvin Klein was not chasing nostalgia. Instead, the brand was reaffirming its place within the real fabric of New York, and by extension the broader story of American style.

The Fall Winter 2025 collection carried the precision of minimalism, but Leoni added layers of emotion. Tailoring formed the backbone with coats cut to architectural shoulders, jackets that skimmed the body, and skirt suits that revealed strength in their restraint.

The palette was disciplined, led by granite grey, porcelain white, deep black, and muted brown. At times, she broke this rhythm with flashes of intensity: a gown in bold crimson or a cape in soft mohair. These interruptions gave the collection a pulse, balancing its restraint with surprise.

Fluid slip dresses appeared over Henley tops, sheer fabrics paired with tailored separates, and flashes of the Calvin Klein waistband peeked from trousers. These details carried intimacy into the rigor of the collection, reminding the audience that elegance can also be personal.

Source: Calvin Klein

The symbolism extended beyond the runway. Kate Moss and Christy Turlington watched from the front row, while Kendall Jenner walked in a sharply cut pinstripe coat. Calvin Klein himself, now in his eighties, attended the show, underscoring its significance.

These presences linked the evening to decades of legacy. Calvin Klein is not just a brand but a cultural landmark, and this runway moment made clear that the house remains central to the story of American fashion.

Source: Calvin Klein

Leoni drew from her experience at Jil Sander, The Row, and Celine under Phoebe Philo, but filtered these references through an American lens. Her minimalism is not absence but presence. It is discipline expressed through every cut, every silhouette, and every fabric.

She resisted the temptation of loud branding. Instead she focused on details: a waistband revealed beneath sheer layers, a sculpted hemline, or the texture of a coat that curved with precision. The collection suggested that confidence today does not need noise. It is enough to be exact, intentional, and assured.

The return of Calvin Klein to New York Fashion Week was not about reclaiming past glory. It was about setting a new chapter. Under Leoni, the brand honours its codes, clean lines, sensual minimalism, and pragmatic design, while evolving them for a new audience.

At a time when much of fashion favours spectacle and excess, Calvin Klein offered something different. It reminded us that simplicity can still captivate, and that confidence can be expressed through subtlety. This collection did not seek to dominate with volume. Instead it resonated with clarity, balance, and refinement.

The message was unmistakable: Calvin Klein is back, and under Veronica Leoni it has found a voice of renewed purpose and relevance.

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